Sorry, Wrong Bedroom (Der Ostfriesen-Report): Two couples go on a roadtrip to find new talent for their burlesque show. Hilarity ensues.

Directed by Walter Boos of Schoolgirl Report infamy, this is not a pseudo documentary but instead a German sex comedy. The strippers in the beginning look a little too ‘professional’, as they should, but once we hit the road we meet a variety of buxom milk maids ready to doff their duds in an instant. This is all very silly, but perverse at the same time, as all anyone thinks about is sex. No introductions necessary. The sex scenes themselves are played strictly for laughs and are often undercranked, but the rampant nudity makes this goofy sex farce a 13 year old boy’s dream come true.

Loves Of Lady Chatterley: The lady of the remote country estate frolics with anyone at hand, as do the staff. Apparently no one has anything to do but have sex.

The leading lady even looks somewhat like Syliva Kristel, and this is an Emmanuelle type skin flick drama. Some of the early scenes are erotic or humorous, but toward the end we get some sexual violence. The strangest scene is when the lady locks a servant in the hermetically sealed glass walled wine ‘cellar’ and does a strip tease as he asphyxiates. This guy is so randy it turns him on right up until he passes out cold.

Moonlighting Mistress (Ich schlafe mit meinem Mörder): A philandering husband schemes to have his mistress murder his wife. Complications arise when burglars interrupt the proceedings.

Director Wolfgang Becker mostly did television series and made for TV movies at this point in his career. What we have here is only slightly more ambitious. The plot is rather convoluted, but the most interesting character in the film is the Corvette. Rather devoid of exploitation elements, this probably played on German television completely uncut.

The DVD:

Sorry, Wrong Bedroom and Loves Of Lady Chatterley both look good, though cropped to 4:3 format.  Moonlighting Mistress is actually non-anamorphic letterbox, but suffers from periodic color saturation, repeated footage, and blasts of digital noise (audio and video). They are all English dub with no subtitles.

Overall, this is a varied collection and certainly delivers as promised. There isn’t a sympathetic character to be found anywhere, and the lead titles for each disk are the ones worthy of repeat viewings – Honey and Sorry, Wrong Bedroom.